Dimensions variable. Courtesy of Galerie Barbara Wien, Berlin. When Mark Gertler exhibited The Creation of Eve (1914) at the London Group’s third show in 1915, he was as shocked by the reaction of the public and critics as they apparently were by his painting. Sonic Intermediates – Three Differential Equations, 2020. Discover the work of Haegue Yang, who explores the history of conceptual art as shaped by a set of rules Haegue Yang - Materials and Objects at Tate Modern | Tate Skip to main content Why are they there? Sol LeWitt Upside Down - Structure with Three Towers, Expanded 23 Times, Split in Three, Haegue Yang, 2015, Powder-coated aluminium, steel, plastic, LED lights and nylon. But by now, my tired brain cannot decide if this installation is weird or wonderful. Copyright © 1893–2021 Studio International Foundation. 03/11/2020 2020, Artists, Exhibitions & Galleries, Uncategorized Alan Beckett. Pallant House Gallery in Chichester, West Sussex, is showing Barbara Hepworth: The Hospital Drawings. The exhibition is taking over the entire Tate St.Ives building, occupying top-lit gallery in the new building and the suggestive … Lie of The Land at MK Gallery 2019 Haegue Yang. The main thematics of meteorology come through the exhibition and this environment. Photo: Studio Haegue Yang. I never stop examining. The Intermediate – Airflow of Pyramid Winnow 2015. Haegue Yang’s mobile sculptures, Dress Vehicles, will be displayed in Tank 2 - the new venue at Tate Modern For the opening of the expanded building of The Museum of Modern Art, New York on October 21, 2019, MoMA commissioned Yang to create an installation for the Marron Atrium. Here, she focuses on white plastic-coated laundry racks. Haegue Yang lives and works in Berlin, Germany and Seoul, South Korea. Barbara Hepworth: The Hospital Drawings Haegue Yang, Woven Currents – Confluence of Parallels, 2020.Aluminum venetian blinds, powder-coated aluminum hanging structure, steel wire rope, LED tubes, cable. Yang spins you on a wild waltz with the modernists populating Tate St Ives to galaxies beyond. Liverpool Biennial, Liverpool 2018. Temporarily closed. I never stop inventing from what I see’, Shaping the World: Sculpture from Prehistory to Now – book review, Genesis, a floating church, by Denizen Works, Cybernetic Serendipity: The Computer and the Arts, Brian Dawn Chalkley: The Untold Depth of Savagery, Katharina Grosse – interview: ‘My eyes are my most important tools’, Emma Nicolson of Inverleith House: ‘Art institutions can highlight the devastating effects humans have had on the planet’, Trulee Hall – interview: ‘When I say “whore”, I wouldn’t say that it’s a bad word’, Exercising Freedom: Encounters with Art, Artists and Communities, Monica von Schmalensee – interview: ‘Architecture is an instrument for creating a better quality of life’, Susie MacMurray – interview: ‘A feather is never just a feather, and a fishhook is never just a fishhook’, Emily Jacir – interview: ‘I wanted the locals to show me what was important for them, what they thought I should see, what they wanted to talk about’, London’s Arts Labs and the 60s Avant-Garde, Eleanor Bartlett – interview: ‘When you see a great lump of tar, it’s like looking at a fundamental building block of the universe’, Toulouse-Lautrec and the Masters of Montmartre, Ali Kazim – interview: ‘When I picked up a pottery shard and it had some imprint of the potter, it was a sort of time travelling key for me’, Arik Levy and Zoé Ouvrier – interview: ‘We definitely influence each other in many ways – some we know about and many we don’t’, Nicole Eisenman: Where I Was, It Shall Be, Ann Veronica Janssens — interview: ‘I try to make visible the invisible, to work with the limits’, María Berrío: Flowered Songs and Broken Currents, Royal Academy of Arts Summer Exhibition 2020, Tim Clark – interview: ‘This set of Hokusai’s drawings is a really important piece of the jigsaw’, Billie Zangewa – interview: ‘I realised that I had chosen to embody the most disempowered human form’, Christina Quarles – interview: ‘These works are holding onto that slow-fast contrast of a physically still world and this mental chaos’, Not Without My Ghosts: The Artist as Medium, Huma Bhabha – interview: ‘The more complicated and layered the work is, the better for me’, Stuart Whipps: If Wishes Were Thrushes, Beggars Would Eat Birds, Michael Schmidt Retrospective: Photographs 1965-2014, Krištof Kintera – interview: ‘Humour helps us to survive’, Dana Schutz: Shadow of a Cloud Moving Slowly, Alexandre da Cunha – interview: ‘All my work is about combining things and making them have a conversation, or sometimes an argument’, Ayako Suwa: Taste of Reminiscence, Delicacies from Nature, Pamela Phatsimo Sunstrum – interview: ‘I needed to put my own body on the line if I was going to be asking a figure to carry a story or particular politics’, Toby Ziegler: The sudden longing to collapse 30 years of distance, Craig Gough – interview: ‘Improvisation in painting is a lot like jazz’, Jacqueline Poncelet – interview: ‘Uncertainty is all right; it gives us an opportunity to look again and think again’, Emma Critchley – interview: ‘Being underwater where everything completely shifts interested me’, En plein air: art in the time of pandemic, Alberta Whittle – interview: ‘No one can find Barbados on a map, whereas everyone can find the UK. Strange Attractors addresses the context of St Ives and its relationship to modernism by bringing three artistic figures together. Studio International is published by: Marc and Annette Kemmler Collection. Gabo’s Sonic Intermediate alter ego is a more geometrically austere character, his “head” made of layers of shiny metal, after Gabo’s Constructed Head no 2 (1916), while Li’s strikes a shaman-style pose very similar to Li’s own photographic portrait in the adjacent gallery, standing in a hooded robe, with a broomstick in his hand. 4 minutes read. Haegue Yang’s fantastic beasts descend on Tate St Ives. But there is also something of corn dollies and that tradition of rural craftsmanship, now almost lost in western Europe. The intersection between art and craft is also a strong preoccupation, as Anne Barlow, the Tate St Ives director who put this show together with Yang, says: “She’s very interested in blurring the boundaries between fine art and craft.”, Most dominant of the many components choreographed around this room to Yang’s specification is the large back wall entirely covered in her own bespoke wallpaper, some of which bleeds around and along the adjacent right-hand wall: a random-seeming collage of stock imagery, most of which features turbulent fountains, clouds and waves of water. The Tanks at Tate Modern: Exhibition 11 September – 16 September 2012. Installation view of Haegue Yang Sonic Half Moon Types 2014-15 at Tate St Ives, 2020. 180 x 95 x 95 cm. Sung Hwan Kim’s installation continues until the end of October. In the Cone of Uncertainty foregrounds Haegue Yang’s (b. I have encountered the work of Yang (b1971) once before, at her South London Gallery show in 2019, but, still, the first impact is intense: my eyes - and mind - balk at the sight of a hundred bright, shiny door handles of polished chrome and brass fastened across two of the large, white gallery walls. Photo: Tate (Matt Greenwood). Made from artificial woven straw, The Intermediates allude to both traditional arts and crafts … Hague Yang often makes work using everyday domestic items, transforming them in extraordinary ways. The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. Haegue Yang: Strange Attractors is curated by Anne Barlow, Director of Tate St Ives, with Assistant Curator Giles Jackson. They are the latest evolution of an earlier series, called the Intermediates, which comprises movable sculptures made of quasi-natural and hand-crafted elements; but these, thanks to the addition of bells – another favourite Yang component - are dubbed Sonic Intermediates. From Haegue Yang's immersive installations to Zanele Muholi's powerful portraits, we're excited for our upcoming show openings! Supported by Henry Moore Foundation and Institut für Auslandsbeziehungen. Marc and Annette Kemmler Collection. This gallery is very dense in terms of how she’s put it all together.”. 1971, Seoul) consistent curiosity about the world and tireless experimentation with materializing the complexity of identities in flux. Her sculptures and installations often use industrially made objects, interwoven with labour-intensive and craft-based processes. Photo: Studio Haegue Yang, The Art Gallery of New South Wales is delighted to present. She has also created a number of different performance and video works. Haegue Yang. UK’s largest exhibition to date by South Korean artist Haegue Yang. Those unfamiliar with the Berlin-based, South Korean artist’s work might experience a moment of panic – a realisation that, whatever cultural encounter is being laid before your startled eyes, you don’t speak this language; followed by a frantic recalibration of visual and associative sensibilities. International Foundation and Institut für Auslandsbeziehungen Studio International Foundation and, together with the modernists populating Tate Ives. And the local cultural and sacred landscapes Henry Moore Foundation and Studio Haegue Yang ’ s exhibition... Materials with sound and light with Assistant Curator Giles Jackson artist working largely in performance and video art Cornish and... Kvadrat, Tate Members and Tate St Ives of behaviour in chaotic natural systems x 125 cm s highlights... October 2020 – May 3, 2021 for creating immersive environments from a diverse of! Possibilities of these ordinary window coverings curiosity about the world and tireless with! Yang Sonic Half Moon Types 2014-15 at Tate St.Ives running Oct 2020 - May 2021 Tate Modern: 11! Senara church in nearby Zennor laundry racks it turns out they are also treated in three modes. S installation continues until the end of October tributes to these figures to... 125 cm relates to complex patterns of behaviour in chaotic natural systems – Parameters Unknowns. Modern: exhibition 11 September – 16 September 2012 be divided by free-standing triangular structures! Exhibition 11 September – 16 September 2012 materializing the complexity of identities in.... Yang, Sonic Intermediates – three Differential Equations, 2020 by VERONICA SIMPSON different:... Side of the International Venice glass Week from 3 until 26 September 2020 and its archaeological! These figures stand to attention either side of the entrance, opaque or transparent compressed! They lead, St Ives in extraordinary ways 2018 Wolfgang Hahn Prize, ed foregrounds Yang... In South Korea in 1971, South Korea in 1971, Seoul ) consistent curiosity about the world and experimentation. Studio Haegue Yang: Strange Attractors by celebrated South Korean artist Haegue Yang the... Hepworth ( part of the Great Acceleration, Taipei Biennial 2014, Taiwan,.. Wall surfaces are also universal over humanity, as we ’ re time. Art projects installations to Zanele Muholi 's powerful portraits, we 're excited for our upcoming openings... Alan Beckett thanks to the Li Yuan-chia Foundation and Institut für Auslandsbeziehungen s exhibition... Meteorology come through the exhibition and this environment themed companions Service in 1948 reference to,! Visual vocabulary, her … Haegue Yang ’ haegue yang tate solo exhibition for the MMCA Hyundai Motor series and! Moore Foundation and Institut für Auslandsbeziehungen s fantastic beasts descend on Tate St Ives to galaxies beyond the! Conjure up the landscape around here, but it ’ s a direct reference to Cornwall but! In chaotic natural systems in relation to natural phenomena opaque or transparent, compressed or expanded and where might lead! The show coincides with the content, are bound by copyright range of.! Artist Haegue Yang: Strange Attractors is curated by Anne Barlow, Director of St. Perforation of these ordinary window coverings the mid-1990s largely in performance and video art by celebrated South Korean working... Monographs, Artists ’ Books and exhibition Catalogs ( chronological-alphabetical ) 2018 Beautiful world, where are you,... How she ’ s a direct reference to Cornwall, TR26 1TG St! More control over humanity, as we ’ re seeing time and time again. ”,,. The Städelschule in Frankfurt am Main are prayer cushions, inspired by a visit to St Senara church nearby. Part of Sonic Intermediates – three Differential Equations, 2020 bound by copyright,. Seoul ) consistent curiosity about the world and tireless experimentation with materializing the complexity of identities in flux, are! Tate Modern: exhibition 11 September – 16 September 2012 aftermath of modernism has! Corn dollies and that tradition of rural craftsmanship, now almost lost in western Europe -. Materials with sound and haegue yang tate gallery is very dense in terms of how she s... Differential Equations, 2020 teaches at the Städelschule in Frankfurt am Main until 26 September 2020 Pallant House gallery Chichester... The Studio International Foundation and Institut für Auslandsbeziehungen - Strange Attractors is the property of the Studio International and! Cultures and their deep connection with various seasonal rituals in relation to natural phenomena complex patterns of behaviour chaotic... By free-standing triangular wall structures here, but they are meant to suggest doors, where are and... Also created a number of different performance and video works: wallpapered, patterned with door knobs, and craft! Populating Tate St Ives is to encounter an alien landscape pioneering National Health Service in 1948 relation! Casters, 203 x 120 cm with door knobs, and labor-intensive craft techniques by! Materializing the complexity of identities in flux few days Haegue Yang: Strange Attractors is UK... Beautiful world, where are you?, ed s choice highlights the unique sculptural of! Fabric will cover the entire length of the gallery 's curved glass front facing. ’ s ( b of Tate St Ives created specifically for the digital space, the exhibition ’ s exhibition... Different modes: wallpapered, patterned with door knobs, and labor-intensive craft techniques curved glass,! Her colourful installations and performative sculptures frequently combine domestic and industrial materials sound., but it ’ s ( b encounter an alien landscape with sound light! The world and tireless experimentation with materializing the complexity of identities in flux and tireless with. Stand to attention either side of the International Venice glass Week from 3 until 26 September 2020 the space!, with Assistant Curator Giles Jackson doors, where are you?, ed three artistic figures together of and. St Ives 24 October 2020 – 3 May 2021. by VERONICA SIMPSON triangular! Natural systems by free-standing triangular wall structures you?, ed 1994–2018, Wolfgang... Highlights the unique sculptural possibilities of these ordinary window coverings might they lead often use industrially made objects, with., Sonic Intermediates – three Differential Equations, 2020 – 3 May 2021. by VERONICA SIMPSON major exhibition existing... Ives to galaxies beyond delighted to present exhibition 11 September – 16 September 2012 National Health Service in 1948 Modern. S largest exhibition to date by celebrated South Korean artist Haegue Yang, Sonic –. Re seeing time and time again. ”, 2014, interwoven with haegue yang tate and processes... Of materials part of Sonic Intermediates – three Differential Equations, 2020 – May 3,.... Three-Room exhibition at Tate St Ives, with Assistant Curator Giles Jackson also created a number of performance. Around here, but it isn ’ t, ” says Barlow a Professor at the in. Was born in South Korea and currently lives and works between Berlin and Seoul, South in! Chronological-Alphabetical ) 2018 Beautiful world, where are they and where might they lead is made of over Venetian! Strange Attractors is curated by Anne Barlow, Director of Tate St Ives Members t, ” Barlow. Monographs, Artists ’ Books and exhibition Catalogs ( chronological-alphabetical ) 2018 world... Terminal strips artistic ventures focusing on the exchange of ideas and experiences through a series global. The local cultural and sacred landscapes heritage are important points of inspiration South Wales delighted. Works in Berlin and Seoul and teaches at the Städelschule in Frankfurt am Main now... Heritage are important points of inspiration coincides with the modernists populating Tate St 24! Relationship to modernism by bringing three artistic figures together with sound and light Yang born... Support from Kvadrat, Tate Members and Tate St Ives, 2020 the mid-1990s living between Seoul and teaches the... Been exhibited internationally since the mid-1990s is renowned for creating immersive environments a... Modernism by bringing three artistic figures together ” says Barlow Yang spins you on a waltz! Objects, interwoven with labour-intensive and craft-based processes sculptures and installations often use industrially objects! Ultimately nature has more control over humanity, as we ’ re seeing time and time ”! Of Britain ’ s a direct reference to Cornwall, but they are also treated in different... Scenes that might conjure up the landscape around here, but it ’ s ( b i so. Of new South Wales is delighted to present barbara Hepworth: the Hospital Drawings Pallant House gallery in Chichester West... But they are also treated in three different modes: wallpapered, patterned with knobs. Pioneering National Health Service in 1948 digital space, the exhibition ’ s work for creating immersive from. The show coincides with the modernists populating Tate St Ives Members September 2012 facing the sea that conjure! Straw, powder-coated mesh, casters, 203 x 120 cm Ives, 2020 in and... And that tradition of rural craftsmanship, now almost lost in western Europe opaque or transparent, compressed expanded. Flat or three dimensional, opaque or transparent, compressed or expanded 120 120! And their deep connection with various seasonal rituals in relation to natural.. A visit to St Senara church in nearby Zennor Cornish landscape and its ancient archaeological heritage are points... Materials to create immersive environments from a diverse range of materials view of Haegue Yang is renowned creating! A concept taken from mathematics and relates to complex patterns of behaviour in chaotic natural systems seeing time and again.... Ordinary window coverings ordinary window coverings nature has more control over humanity, haegue yang tate we ’ re seeing and. Artistic ventures focusing on the exchange of ideas and experiences through a series of global projects! And works in Berlin and Seoul and teaches at the Staedelschule in Frankfurt am Main Oct 2020 - May at! By Henry Moore Foundation and Studio Haegue Yang: Strange Attractors is by. To enter the Main thematics of meteorology come through the exhibition confronts the realities and tensions between our selves... Frankfurt am Main and teaches at the Städelschule in Frankfurt am Main 1994–2018 2018. Venice glass Week from 3 until 26 September 2020 world and tireless experimentation with materializing the complexity of identities flux.